Posts Tagged ‘vintage’

enamel collection

Monday, August 10th, 2009

enamel_1enamel_2lg

For those who live in the Boston area, you might be interested in checking out our 1950s enameled copper that we just acquired from a local estate.  The woman was an enamelist, and inside a cabinet was over 100 exquisite bowls and plates that have been stored for over 50 years.

The selection includes both her work and others that she collected.  Every piece is as perfect as the day it was made.  Unfortunately, we can’t add these to our website because of the vastness of the collection.  Individual prices range from $14 to $30.  – Terri

mexican sterling – dating

Friday, July 24th, 2009

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Although Abodeon specializes in vintage Scandinavian and studio crafted jewelry, we’ve also featured antique Mexican sterling for over a decade.  If you’re considering acquiring a piece, here’s a simple way to determine its general age.

pre_eaglemarks

Pre-1948. Mexico’s silver renaissance began in the 1920s, so most of the jewelry found today is from this time onward.  Until 1948 silversmiths commonly stamped jewelry with their maker’s mark and Sterling, or the fineness of the silver.  “Mexico Silver” or “Silver Made in Mexico” is also seen.  These pieces are usually 925 sterling and above in their purity.

silver_marksPre-1948 “Silver Made in Mexico” + 1948-1979 Eagle Mark

1948-1979. An eagle mark (frequently mistaken for a bell) is added to to the hallmarks.  Instituted by the Mexican government in 1948, the inside number on the eagle is either the city or the maker’s number.  The system failed because some silversmiths used fake or borrowed stamps and numbers to avoid fees.

taxco_newmarks

1980-Present. In 1979 the eagle was replaced by a letter (dash) number system.  The first letter indicates the city (T is for Taxco, M is for Mexico City, etc.).  The second letter is the first initial of the silversmith’s last name.  The numbers are the silversmith’s number assigned at registration.  For instance, if the number is 25, the silversmith was the 25th person to register at the city’s assay office.

Exception:  Mass-produced Mexican jewelry is often without the letter/number marks.  These pieces are frequently stamped Made in Mexico and Sterling, or Mexico 925.  When in doubt, look at the mark.  Newer pieces are stamped with modern fonts in addition to lacking the wear and patina of older jewelry.

I’ll post more on the jewelry and silversmiths of Mexico at a later date. Happy Friday! – Terri

la gardo tackett

Monday, July 20th, 2009

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The career of California ceramics designer La Gardo Tackett (1911-1992) had a chance beginning due to an unlikely friendship between an LA graphics designer, Lou Danziger, and a New Jersey meat packer, Max Lawrence, who shared a love of modernism.  In 1949 while Tackett was teaching at the California School of Art in Pasadena, Danziger told Lawrence about Tackett and his students making planters and sculptures that looked like “white doughnuts, halved avocados and stacked pyramids”.  Lawrence’s wife decided to view their work and the rest, as they say, is history.

Within months the couple began mass-producing the ceramics and Architectural Pottery was born.  When the catalog was released in 1950, architects began ordering the pieces.  MoMA selected most of the items for its 1951 Good Design exhibition.  Tackett became famous for his hourglass-shaped designs.  Student John Follis was hailed for his circular and peanut-shaped planters that rested on simple stands.  The pots, which were also used in the Case Study houses, became a part of the American modern landscape.  Architectural Pottery closed in 1969 and in 1999 the San Diego company, Vessel USA, began manufacturing many of the designs from the original drawings.

Through his own design studio, La Gardo Tackett created a wide range of tabletop items that were made in Japan for companies like Freeman Lederman and Schmid International.  His early 50s Eggheads for Schmid were distributed by Richard Morgenthau, who operated Raymor.  The Eggheads, which are hollow and have a cork underneath, were marketed primarily through Playboy Magazine as bedside condom holders. – Terri

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bitossi italian pottery

Tuesday, July 14th, 2009

bitossi_group

In 1921 Guido Bitossi founded the ceramics company Manifattura Cav. Guido Bitossi & Figli in Montelupo, Italy.  Aldo Londi became the creative director after WWII, and was the guiding force until the 1980s. Londi designed thousands of forms in addition to the patterns and techniques that were applied to them.  His 1950s Rimini Blu collection is the most recognized with its striking layers of blue and turquoise glazes, and many of the pieces are still in production today.  Bitossi was distributed in the U.S. by Raymor, one of the most influential importers of modern decorative arts in the mid 20th Century.

Architect Ettore Sottsass designed lines for Bitossi from 1950 through the 1990s.  Other notable designers include Marco Zanini, George Sowden, Piero Fornasetti, Karim Rashid, and Arik Levy.  Bitossi continues to combine traditional and new techniques with an attention to hand-finishing along with their signature use of enamels and mix of colors.  Today Bitossi operates as Ceramica Bistossi under the business name Flavia.

Sadly most vintage pieces are marked with only a hand-inscribed style number and Italy.  On pieces imported by Raymor, the letters BIT are sometimes on the paper label.  Newer ceramics have Bitossi and Made in Italy printed in ink. – Terri

zoo-line + kay bojesen

Tuesday, July 14th, 2009

zooline_group

In the 50s the Los Angeles company Zoo-Line distributed a collection of animals that were made in Japan of teak and assorted woods.  The line was primarily sold through parks and zoos, and ranged from miniatures packaged in matchbooks to larger functional figures.  The hippo’s mouth, for instance, opens to reveal a space for storing jewelry.  The pelican is a desk accessory.  Inside the beak is a well for paperclips, and a single magnetic tooth attracts the clips.

The animals are collected today because of their quirky humor. A fallacy floating around on the web is that they are connected to the renown Danish designer, Kay Bojesen (1886-1958).  In the early 50s Bojesen created several teak toys for Rosendahl and the company is still producing his monkey, bear and elephant.  As the vintage examples can sell for hundreds of dollars, a few years ago some uninformed – or enterprising – Ebay seller referenced the Zoo-Line animals to Bojesen.  Another seller adopted the info and the myth spread like weeds.

bojesen_monkey

There is a lot of misinformation on Ebay (and the world in general) so take the time to do your own research.  You’ll appreciate an object more if you understand its history.  We own many things that were made by unknown craftsmen.  While we don’t cherish them any less, we’ll always wonder about their stories and the hands that made them.  – Terri

west german pottery

Monday, July 13th, 2009

german_redpottery

After being out of fashion for a while, pottery made in West Germany from the 1950s through 1970s is hot again.  The prolific range can vary from oh-my-god-ugly to colorful forms and bubbling lava glazes.

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Some of the factories that produced these modern ceramics include Baykeramik, Carstens, Dumler & Breiden, Jopeko, Roth, Ruscha, and Scheurich.  As the majority is marked only with the serial number often with German or W. Germany, unless a piece has the original paper label you might have to do a bit of investigation.  There are growing number of sites that specialize in West German pottery and provide a wealth of visual education.  The German website Fat Lava is a good place to start looking.

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While prices have been steadily rising, it’s still a very affordable area because there’s so much of it around.  Since all but a few pieces are molded and very sturdy, you can actually use them without worry. – Terri

palshus danish pottery

Monday, July 13th, 2009

palshus

Shown above is a small collection with big impact.  I‘ve always favored large-scale accessories because they draw the eye and easily create a sense of drama.  (As a practical aspect, there’s also less to dust).  However small objects can have an equal effect when assembled into a thoughtful collection.

The tallest piece in this group of 1950s Palshus pottery is only 8″ so a single piece would be lost on a shelf.  Together they make a huge statement because of the interesting range of shapes and subtle variations in the matte haresfur glazes.

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The Danish pottery studio Palshus was established by Per Linneman-Schmidt and his wife Annelise in Taastrup in 1948.  Early pieces were simple arts and crafts style forms in browns, blues and creams.  Later examples are typically rough glazed with incising and other decoration.  Palshus Pottery closed its doors in the early 70s but there are still pieces out there to find.

This entire assortment was scooped up at the spring Brimfield Antique Show by a savvy friend of ours.  Lucky fellow. – Terri